The title, Growl, was inspired by an item in a list of bizarre subject lines from spam emails collected by Esther Landau, a flautist/music administrator I met at the American Music Center’s annual meeting last month.

The premiere performance, on July 19 at 7:00pm, will be a part of Concert Artist Guild’s new series The Upright Pianos Brigade at Barbés (376 9th St., Park Slope, Brooklyn).

meditation, which clocks in at 1 minute, is my latest collaboration with poet Mark Statman. I came across this short, slightly dirty poem while leafing through Mark’s manuscripts in his studio at the Virginia Center for the Creative Arts in 2007. This concert, by the way, is celebrating composers who have been in residence at the VCCA, so I felt it appropriate to work with Mark again since that’s where we met.

I’ve been dying to set this poem, and it’s been bouncing around in my head for two years – never quite settling into something that I was happy with. Now I’ve finally found an excuse to make it happen!

In December, Gilda Lyons, the Artistic Director of The Phoenix Concerts, asked me to write a short song for their March concert titled “Music from Mt. San Angelo: a celebration of the Virginia Center for the Creative Arts”, and thus was born meditation.

Music from Mt. San Angelo
a celebration of the Virginia Center for the Creative Arts
Friday, March 18, 2011 at 8:00PM
Church of Saint Matthew and Saint Timothy
26 West 84th Street, NYC

On a lark, I did a little search for my name and came up with a recently posted video of The Passionate Shepherd to His Love performed by the Southern Miss Chamber Singers, conducted by an old friend, Dr. Andrew Jensen. Andy was a member of the ISU Madrigal Singers during my days in the choir, and was a singer in the premiere of Passionate Shepherd. This is a truly beautiful performance:

Gilda is a great composer herself, and she does a wonderful job running The Phoenix Concerts, which are always interesting and of the highest caliber. I’m really looking forward to writing for her series, as well as performing again with my good friend Rob Frankenberry!

I give up roughly 40 hours of my week hopping from office to office in Manhattan. I’ll spend days, weeks, or even months in an office, performing mostly menial tasks – filing, data entry, and rarely (very rarely) a bit of reception work (which I invariably loathe). I was very fortunate prior to the economic crash – I had found a great long-term temp gig in the Alternative Fund Services department of HSBC. The VP who oversaw the area that I assisted was also a musician, so he understood my situation and did his best to keep me on for as long as possible. Ultimately, I was there for three and a half years, not including a several-month stint where I temped for a jewelry company. In the middle of this 3.5 years, I spent about six months as a full-time, salaried employee of HSBC – I was a Fund of Funds Administrator (basically, I was an administrator for a particular type of hedge fund) – but it was too great of a draw on my time, so I quit, left on very good terms, and was called back again as a temp when I finished with the jewelry company. I stayed until about two weeks before the crash, when every single temp in the company was let go at once.

After that, the economy was so terrible that my temp agencies had a very difficult time finding me work. From September 2008 until August 2010, I worked a total of maybe 10 weeks – not because I didn’t want to, but because the work just wasn’t there. I was fortunate in that I could draw Unemployment for a year, and I was able to design a website or two, but none of this was enough to pay the rent, let alone bills. After my Unemployment ran out, I was in pretty dire straits. Consequently, I got myself into a bit of a financial pickle, and was fortunately bailed out by my parents earlier this year. (Hooray for parents!)

The constant financial worry was obviously a major draw on my mental abilities. The anxiety and subsequent depression made it pretty much impossible to write. I even had a rough go of it during my stays at artist colonies – I couldn’t maintain my concentration, and kept feeling as though maybe I shouldn’t be there at all, if only because I couldn’t afford to travel or be away from potential jobs. And while I was in the City, I spent almost zero time writing – I would sleep embarrassingly late and then fritter away the remainder of the day. Not an existence indicative of a healthy mind.

I managed to write only a handful of works during that period, most of which had pretty strict deadlines, and it was still like pulling teeth to get me to sit down to write, even with the promise of money.

For quite a while I thought that the problem was that I didn’t have a draw on my time – that I needed to have less of my time available to me so that I would value what little time I had to write and use it properly. Now there may be some validity to this, but it never once crossed my mind until a few weeks ago that my problem was that I couldn’t think except to worry about the five dollars in my checking account and thirteen cents in savings. The worry would keep me up at night. I was afraid to buy anything. I was terrified every time I swiped my debit card, expecting that the tiniest purchase would be denied because I might not have enough money in my account.

Some of the haze finally cleared a few weeks ago on the plane en route to Santa Fe, NM to see my friends Danny and Kaity get married and hear the premiere of The Gallant Weaver, which I arranged for solo guitar as their processional. In August, my boyfriend’s sister recommended me for a freelance temp job in the Finance office at New York City Center, where she had worked in Development. That assignment lasted “officially” from mid-August to October 1. I say “officially” and put it in quotes for two reasons: 1. I’ve been asked back for a while to help out in the Capital Projects office, and 2. I’ve been offered (and I’ve accepted) a full-time position in Finance starting December 13. I’ll be taking over for a really great guy who’s been at City Center for quite a while, and is retiring at the end of the year. Big shoes to fill!

It was around the time that my boss-to-be began making job-style overtures in my direction that I started to realize that my compositional problem hasn’t been too much time on my hands – it’s been incessant, gut-wrenching, debilitating anxiety/depression over the fact that I’ve had no money for the past two years! So once there was a light at the end of the tunnel, an oasis on the horizon, I was finally able to think more clearly and realize that my creative process had been hijacked by paralyzing anxiety and a real, deep depression.

Now it feels as though a huge weight has been lifted from my shoulders. I still have to live a little frugally until the job starts in mid-December, but I’ve been able to breathe and sleep easier.

And the music has begun to flow again! In a matter of days, I wrote a 4-minute choral work that I’m really excited to hear when it’s premiered at Illinois State University the weekend before I start full-time at City Center. I feel energized to write and write and write!

I intend to attack the Songbook Project again, and I’ve got an interesting series of short chamber works bubbling away in my brain. Also, I’ve found a direction for the orchestral piece I started at Ucross last year that I think is going to propel it into something quite good – important, even. So let’s get to work!

In the meantime, two fun bits of news:

I’m nearly finished with a new choral piece commissioned by Illinois State University, titled To a Poet a Thousand Years Hence. The piece commemorates two events: the 55th Annual ISU Madrigal Dinners, and the 40th Anniversary of the founding of the ISU College of Fine Arts. As always, it’s an honor to be asked to write for ISU’s choirs, and I look forward to their performance of it on the Madrigal Dinners in early December. I’ll be attending one of the later performances with a sizable entourage of friends and family. I encourage anyone in the area to check out the Dinners, which are a great event (I was one of the Madrigal Singers during my ISU years, and had quite a bit of fun singing, eating, and wearing silly costumes – particularly the Jacqueline Kennedy Onassis Memorial Pillbox Hat™, which I promise to find a photo of). I’ll have the piece finished in the next day or so, as all that remains to be done is to compose music for half a line of poetry, flesh out harmonies for two other lines, and finish the engraving and proofreading.

And Saturday, October 16, the ISU Madrigal Singers will perform one of my slightly older choral works, Fair Robin I Love, which hasn’t seen the light of day since it was premiered 5 years ago (!) for the 50th Annual Madrigal Dinner. I’m glad it’s being done again – I particularly like it, and it’s a refreshing departure from the bulk of my choral works.

More happy news soon about day jobs, planned works, and more upcoming performances. A new little side project that I’ve been tinkering with. And some heavier, more personal posts coming reflecting on my recent difficulties composing, and responding to some very sad recent events.

Until then!